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Human Nature In Politics by Graham Wallas



G >> Graham Wallas >> Human Nature In Politics

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In the evolution of politics, among the most important events have been
the successive creations of new moral entities--of such ideals as
justice, freedom, right. In their origin that process of conscious
logical abstraction, which we are tempted to accept as the explanation
of all mental phenomena, must have corresponded in great part to the
historical fact. We have, for instance, contemporary accounts of the
conversations in which Socrates compared and analysed the unwilling
answers of jurymen and statesmen, and we know that the word Justice was
made by his work an infinitely more effective political term. It is
certain too that for many centuries before Socrates the slow adaptation
of the same word by common use was from time to time quickened by some
forgotten wise man who brought to bear upon it the intolerable effort of
conscious thought. But as soon as, at each stage, the work was done, and
Justice, like a rock statue on whom successive generations of artists
have toiled, stood out in compelling beauty, she was seen not as an
abstraction but as a direct revelation. It is true that this revelation
made the older symbols mean and dead, but that which overcame them
seemed a real and visible thing, not a difficult process of comparison
and analysis. Antigone in the play defied in the name of Justice the
command which the sceptre-bearing king had sent through the sacred
person of his herald. But Justice to her was a goddess, 'housemate of
the nether gods'--and the sons of those Athenian citizens who applauded
the Antigone condemned Socrates to death because his dialectic turned
the gods back into abstractions.

The great Jewish prophets owed much of their spiritual supremacy to the
fact that they were able to present a moral idea with intense emotional
force without stiffening it into a personification; but that was because
they saw it always in relation to the most personal of all gods. Amos
wrote, 'I hate, I despise your feasts, and I will not smell the savour
of your assemblies.... Take thou away from me the noise of thy songs;
for I will not hear the melody of thy viols. But let judgment roll down
as waters, and righteousness as an ever-flowing stream.'[15] 'Judgment'
and 'righteousness' are not goddesses, but the voice which Amos heard
was not the voice of an abstraction.

[15] Amos, ch. v., vv. 21, 23, 24 (R.V.M.).

Sometimes a new moral or political entity is created rather by immediate
insight than by the slow process of deliberate analysis. Some seer of
genius perceives in a flash the essential likeness of things hitherto
kept apart in men's minds--the impulse which leads to anger with one's
brother, and that which leads to murder, the charity of the widow's mite
and of the rich man's gold, the intemperance of the debauchee and of the
party leader. But when the master dies the vision too often dies with
him. Plato's 'ideas' became the formulae of a system of magic, and the
command of Jesus that one should give all that one had to the poor
handed over one-third of the land of Europe to be the untaxed property
of wealthy ecclesiastics.

It is this last relation between words and things which makes the
central difficulty of thought about politics. The words are so rigid, so
easily personified, so associated with affection and prejudice; the
things symbolised by the words are so unstable. The moralist or the
teacher deals, as a Greek would say, for the most part, with 'natural,'
the politician always with 'conventional' species. If one forgets the
meaning of motherhood or childhood, Nature has yet made for us
unmistakable mothers and children who reappear, true to type, in each
generation. The chemist can make sure whether he is using a word in
precisely the same sense as his predecessor by a few minutes' work in
his laboratory. But in politics the thing named is always changing, may
indeed disappear and may require hundreds of years to restore. Aristotle
defined the word 'polity' to mean a state where 'the citizens as a body
govern in accordance with the general good.'[16] As he wrote,
self-government in those States from which he abstracted the idea was
already withering beneath the power of Macedonia. Soon there were no
such States at all, and, now that we are struggling back to Aristotle's
conception, the name which he defined is borne by the 'police' of
Odessa. It is no mere accident of philology that makes 'Justices'
Justice' a paradox. From the time that the Roman jurisconsults resumed
the work of the Greek philosophers, and by laborious question and answer
built up the conception of 'natural justice, it, like all other
political conceptions, was exposed to the two dangers. On the one hand,
since the original effort of abstraction was in its completeness
incommunicable, each generation of users of the word subtly changed its
use. On the other hand, the actions and institutions of mankind, from
which the conception was abstracted, were as subtly changing. Even
although the manuscripts of the Roman lawyers survived, Roman law and
Roman institutions had both ceased to be. When the phrases of Justinian
were used by a Merovingian king or a Spanish Inquisitor not only was the
meaning of the words changed, but the facts to which the words could
have applied in their old sense were gone. Yet the emotional power of
the bare words remained. The civil law and canon law of the Middle Ages
were able to enforce all kinds of abuses because the tradition of
reverence still attached itself to the sound of 'Rome.' For hundreds of
years, one among the German princes was made somewhat more powerful than
his neighbours by the fact that he was 'Roman Emperor,' and was called
by the name of Caesar.

[16] _Politics_, ch. vii., [Greek: hotan to plethos pros to koinon
politeue tai sympheron.]

The same difficulties and uncertainties as those which influence the
history of a political entity when once formed confront the statesman
who is engaged in making a new one. The great men, Stein, Bismarck,
Cavour, or Metternich, who throughout the nineteenth century worked at
the reconstruction of the Europe which Napoleon's conquests shattered,
had to build up new States which men should respect and love, whose
governments they should willingly obey, and for whose continued
existence they should be prepared to die in battle. Races and languages
and religions were intermingled throughout central Europe, and the
historical memories of the kingdoms and dukedoms and bishoprics into
which the map was divided were confused and unexciting. Nothing was
easier than to produce and distribute new flags and coins and national
names. But the emotional effect of such things depends upon associations
which require time to produce, and which may have to contend against
associations already existing. The boy in Lombardy or Galicia saw the
soldiers and the schoolmaster salute the Austrian flag, but the real
thrill came when he heard his father or mother whisper the name of Italy
or Poland. Perhaps, as in the case of Hanover, the old associations and
the new are for many years almost equally balanced.

In such times men fall back from the immediate emotional associations of
the national name and search for its meaning. They ask what _is_ the
Austrian or the German Empire. As long as there was only one Pope men
handed on unexamined the old reverence from father to son. When for
forty years there had been two Popes, at Rome and at Avignon, men began
to ask what constituted a Pope. And in such times some men go further
still. They may ask not only what is the meaning of the word Austrian
Empire, or Pope, but what in the nature of things is the ultimate reason
why the Austrian Empire or the Papacy should exist.

The work therefore of nation-building must be carried forward on each
plane. The national name and flag and anthem and coinage all have their
entirely non-logical effect based on habitual association. Meanwhile the
statesmen strive to create as much meaning as possible for such symbols.
If all the subjects of a State serve in one army and speak, or
understand, one language, or even use a black-letter alphabet which has
been abandoned elsewhere, the national name will mean more to them. The
Saxon or the Savoyard will have a fuller answer to give himself when he
asks 'What does it mean, that I am a German or a Frenchman?' A single
successful war waged in common will create not only a common history,
but a common inheritance of passionate feeling. 'Nationalists,'
meanwhile, may be striving, by songs and pictures and appeals to the
past, to revive and intensify the emotional associations connected with
older national areas--and behind all this will go on the deliberate
philosophical discussion of the advantages to be derived from large or
small, racial or regional States, which will reach the statesman at
second-hand and the citizen at third-hand. As a result, Italy, Belgium,
and the German Empire succeed in establishing themselves as States
resting upon a sufficient basis of patriotism, and Austria-Hungary may,
when the time of stress comes, be found to have failed.

But if the task of State building in Europe during the nineteenth
century was difficult, still more difficult is the task before the
English statesmen of the twentieth century of creating an imperial
patriotism. We have not even a name, with any emotional associations,
for the United Kingdom itself. No Englishman is stirred by the name
'British,' the name 'English' irritates all Scotchmen, and the Irish are
irritated by both alike. Our national anthem is a peculiarly flat and
uninspiring specimen of eighteenth-century opera libretto and opera
music. The little naked St. George on the gold coins, or the armorial
pattern on the silver coins never inspired any one. The new copper
coinage bears, it is true, a graceful figure of Miss Hicks Beach. But we
have made it so small and ladylike that it has none of the emotional
force of the glorious portrait heads of France or Switzerland.

The only personification of his nation which the artisan of Oldham or
Middlesbrough can recognise is the picture of John Bull as a fat,
brutal, early nineteenth-century Midland farmer. One of our national
symbols alone, the 'Union Jack,' though it is as destitute of beauty as
a patchwork quilt, is fairly satisfactory. But all its associations so
far are with naval warfare.

When we go outside the United Kingdom we are in still worse case. 'The
United Kingdom of Great Britain and Ireland together with its Colonies
and Dependencies' has no shorter or more inspiring name. Throughout the
Colonial Conference of 1907 statesmen and leader writers tried every
expedient of periphrasis and allusion to avoid hurting any one's
feelings even by using such a term as 'British Empire.' To the _Sydney
Bulletin_, and to the caricaturists of Europe, the fact that any
territory on the map of the world is coloured red still recalls nothing
but the little greedy eyes, huge mouth, and gorilla hands of 'John
Bull.'

If, again, the young Boer or Hindoo or ex-American Canadian asks himself
what is the meaning of membership ('citizenship,' as applied to
five-sixths of the inhabitants of the Empire, would be misleading) of
the Empire, he finds it extraordinarily difficult to give an answer.
When he goes deeper and asks for what purpose the Empire exists, he is
apt to be told that the inhabitants of Great Britain conquered half the
world in a fit of absence of mind and have not yet had time to think out
an _ex post facto_ justification for so doing. The only product of
memory or reflection that can stir in him the emotion of patriotism is
the statement that so far the tradition of the Empire has been to
encourage and trust to political freedom. But political freedom, even in
its noblest form, is a negative quality, and the word is apt to bear
different meanings in Bengal and Rhodesia and Australia.

States, however, constitute only one among many types of political
entities. As soon as any body of men have been grouped under a common
political name, that name may acquire emotional associations as well as
an intellectually analysable meaning. For the convenience, for instance,
of local government the suburbs of Birmingham are divided into separate
boroughs. Partly because these boroughs occupy the site of ancient
villages, partly because football teams of Scotch professionals are
named after them, partly because human emotions must have something to
attach themselves to, they are said to be developing a fierce local
patriotism, and West Bromwich is said to hate Aston as the Blues hated
the Greens in the Byzantine theatre. In London, largely under the
influence of the Birmingham instance, twenty-nine new boroughs were
created in 1899, with names--at least in the case of the City of
Westminster--deliberately selected in order to revive half-forgotten
emotional associations. However, in spite of Mr. Chesterton's prophecy
in _The Napoleon of Notting Hill_, very few Londoners have learnt to
feel or think primarily as citizens of their boroughs. Town Halls are
built which they never see, coats of arms are invented which they would
not recognise; and their boroughs are mere electoral wards in which they
vote for a list of unknown names grouped under the general title adopted
by their political party.

The party is, in fact, the most effective political entity in the modern
national State. It has come into existence with the appearance of
representative government on a large scale; its development has been
unhampered by legal or constitutional traditions, and it represents the
most vigorous attempt which has been made to adapt the form of our
political institutions to the actual facts of human nature. In a modern
State there may be ten million or more voters. Every one of them has an
equal right to come forward as a candidate and to urge either as
candidate or agitator the particular views which he may hold on any
possible political question. But to each citizen, living as he does in
the infinite stream of things, only a few of his ten million
fellow-citizens could exist as separate objects of political thought or
feeling, even if each one of them held only one opinion on one subject
without change during his life. Something is required simpler and more
permanent, something which can be loved and trusted, and which can be
recognised at successive elections as being the same thing that was
loved and trusted before; and a party is such a thing.

The origin of any particular party may be due to a deliberate
intellectual process. It may be formed, as Burke said, by 'a body of men
united for promoting by their joint endeavours the national interest
upon some particular principle in which they are all agreed.'[17] But
when a party has once come into existence its fortunes depend upon facts
of human nature of which deliberate thought is only one. It is primarily
a name, which, like other names, calls up when it is heard or seen an
'image' that shades imperceptibly into the voluntary realisation of its
meaning. As in other cases, emotional reactions can be set up by the
name and its automatic mental associations. It is the business of the
party managers to secure that these automatic associations shall be as
clear as possible, shall be shared by as large a number as possible, and
shall call up as many and as strong emotions as possible. For this
purpose nothing is more generally useful than the party colour. Our
distant ancestors must have been able to recognise colour before they
recognised language, and the simple and stronger emotions more easily
attach themselves to a colour than to a word. The poor boy who died the
other day with the ribbon of the Sheffield Wednesday Football Club on
his pillow loved the colour itself with a direct and intimate affection.

[17] _Thoughts on the Present Discontents_ (Macmillan, 1902), p. 81.

A party tune is equally automatic in its action, and, in the case of
people with a musical 'ear,' even more effective than a party colour as
an object of emotion. As long as the Marseillaise, which is now the
national tune of France, was the party tune of the revolution its
influence was enormous. Even now, outside of France, it is a very
valuable party asset. It was a wise suggestion which an experienced
political organiser made in the _Westminster Gazette_ at the time of
Gladstone's death, that part of the money collected in his honour should
be spent in paying for the composition of the best possible marching
tune, which should be identified for all time with the Liberal Party.[18]
One of the few mistakes made by the very able men who organised Mr.
Chamberlain's Tariff Reform Campaign was their failure to secure even a
tolerably good tune.

[18] _Westminster Gazette_, June 11, 1898.

Only less automatic than those of colour or tune come the emotional
associations called up by the first and simplest meaning of the word or
words used for the party name. A Greek father called his baby 'Very
Glorious' or 'Good in Counsel,' and the makers of parties in the same
way choose names whose primary meanings possess established emotional
associations. From the beginning of the existence and activity of a
party new associations are, however, being created which tend to take
the place, in association, of the original meaning of the name. No one
in America when he uses the terms Republican or Democrat thinks of their
dictionary meanings. Any one, indeed, who did so would have acquired a
mental habit as useless and as annoying as the habit of reading Greek
history with a perpetual recognition of the dictionary meanings of names
like Aristobulus and Theocritus. Long and precise names which make
definite assertions as to party policy are therefore soon shortened into
meaningless syllables with new associations derived from the actual
history of the party. The Constitutional Democrats in Russia become
Cadets, and the Independent Labour Party becomes the I.L.P. On the other
hand, the less conscious emotional associations which are automatically
excited by less precise political names may last much longer. The German
National Liberals were valuable allies for Bismarck during a whole
generation because their name vaguely suggested a combination of
patriotism and freedom. When the mine-owners in the Transvaal decided
some years ago to form a political party they chose, probably after
considerable discussion, the name of 'Progressive.' It was an excellent
choice. In South Africa the original associations of the word were
apparently soon superseded, but elsewhere it long suggested that Sir
Percy Fitzpatrick and his party had the same sort of democratic
sympathies as Mr. M'Kinnon Wood and his followers on the London County
Council. No one speaking to an audience whose critical and logical
faculties were fully aroused would indeed contend that because a certain
body of people had chosen to call themselves Progressives, therefore a
vote against them was necessarily a vote against progress. But in the
dim and shadowy region of emotional association a good name, if its
associations are sufficiently subconscious, has a real political value.

Conversely, the opponents of a party attempt to label it with a name
that will excite feelings of opposition. The old party terms of Whig and
Tory are striking instances of such names given by opponents and
lasting perhaps half a century before they lost their original abusive
associations. More modern attempts have been less successful, because
they have been more precise. 'Jingo' had some of the vague
suggestiveness of an effectively bad name, but 'Separatist,' 'Little
Englander,' 'Food Taxer,' remain as assertions to be consciously
accepted or rejected.

The whole relation between party entities and political impulse can
perhaps be best illustrated from the art of advertisement. In
advertisement the intellectual process can be watched apart from its
ethical implications, and advertisement and party politics are becoming
more and more closely assimilated in method. The political poster is
placed side by side with the trade or theatrical poster on the
hoardings, it is drawn by the same artist and follows the same empirical
rules of art. Let us suppose therefore that a financier thinks that
there is an opening for a large advertising campaign in connection, say,
with the tea trade. The actual tea-leaves in the world are as varied and
unstable as the actual political opinions of mankind. Every leaf in
every tea-garden is different from every other leaf, and a week of damp
weather may change the whole stock in any warehouse. What therefore
should the advertiser do to create a commercial 'entity,' a 'tea' which
men can think and feel about? A hundred years ago he would have made a
number of optimistic and detailed statements with regard to his
opportunities and methods of trade. He would have printed in the
newspapers a statement that 'William Jones, assisted by a staff of
experienced buyers, will attend the tea-sales of the East India Company,
and will lay in parcels from the best Chinese Gardens, which he will
retail to his customers at a profit of not more than five per centum.'
This, however, is an open appeal to the critical intellect, and by the
critical intellect it would now be judged. We should not consider Mr.
Jones to be an unbiassed witness as to the excellence of his choice, or
think that he would have sufficient motive to adhere to his pledge about
his rate of profit if he thought he could get more.

Nowadays, therefore, such an advertiser would practice on our automatic
and subconscious associations. He would choose some term, say
'Parramatta Tea,' which would produce in most men a vague suggestion of
the tropical East, combined with the subconscious memory of a geography
lesson on Australia. He would then proceed to create in connection with
the word an automatic picture-image having previous emotional
associations of its own. By the time that a hundred thousand pounds had
been cleverly spent, no one in England would be able to see the word
'Parramatta' on a parcel without a vague impulse to buy, founded on a
day-dream recollection of his grandmother, or of the British fleet, or
of a pretty young English matron, or of any other subject that the
advertiser had chosen for its association with the emotions of trust or
affection. When music plays a larger part in English public education it
may be possible to use it effectively for advertisement, and a
'Parramatta Motif' would in that case appear in all the pantomimes, in
connection, say, with a song about the Soldier's Return, and would be
squeaked by a gramophone in every grocer's shop.

This instance has the immense advantage, as an aid to clearness of
thought, that up to this point no Parramatta Tea exists, and no one has
even settled what sort of tea shall be provided under that name.
Parramatta tea is still a commercial entity pure and simple. It may
later on be decided to sell very poor tea at a large profit until the
original associations of the name have been gradually superseded by the
association of disappointment. Or it may be decided to experiment by
selling different teas under that name in different places, and to push
the sale of the flavour which 'takes on.' But there are other attractive
names of teas on the hoardings, with associations of babies, and
bull-dogs, and the Tower of London. If it is desired to develop a
permanent trade in competition with these it will probably be found
wisest to supply tea of a fairly uniform quality, and with a distinctive
flavour which may act as its 'meaning.' The great difficulty will then
come when there is a change of public taste, and when the sales fall
off because the chosen flavour no longer pleases. The directors may
think it safest to go on selling the old flavour to a diminishing number
of customers, or they may gradually substitute another flavour, taking
the risk that the number of housewives who say, 'This is not the real
Parramatta Tea,' may be balanced by the number of those who say,
'Parramatta Tea has improved.' If people will not buy the old flavour at
all, and prefer to buy the new flavour under a new name, the Parramatta
Tea Company must be content to disappear, like a religion which has made
an unsuccessful attempt to put new wine into old bottles.

All these conditions are as familiar to the party politician as they are
to the advertiser. The party candidate is, at his first appearance, to
most of his constituents merely a packet with the name of Liberal or
Conservative upon it. That name has associations of colour and music, of
traditional habit and affection, which, when once formed, exist
independently of the party policy. Unless he bears the party
label--unless he is, as the Americans say, a 'regular' candidate--not
only will those habits and affections be cut off from him, but he will
find it extraordinarily difficult to present himself as a tangible
entity to the electors at all. A proportion of the electors, varying
greatly at different times and at different places, will vote for the
'regular' nominee of their party without reference to his programme,
though to the rest of them, and always to the nominating committee, he
must also present a programme which can be identified with the party
policy. But, in any case, as long as he is a party candidate, he must
remember that it is in that character that he speaks and acts. The party
prepossessions and party expectations of his constituents alone make it
possible for them to think and feel with him. When he speaks there is
between him and his audience the party mask, larger and less mobile than
his own face, like the mask which enabled actors to be seen and heard in
the vast open-air theatres of Greece. If he can no longer act the part
with sincerity he must either leave the stage or present himself in the
mask of another party.

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