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Atlantic Monthly, Vol. 10, No. 61, November, 1862 by Various



V >> Various >> Atlantic Monthly, Vol. 10, No. 61, November, 1862

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Fortunate in so many other things, Irving may also be pronounced
fortunate in his biographer, whom he himself designated for the trust.
His nephew has performed his labor of love in a manner which will
satisfy all but those who read a book mainly for the purpose of finding
fault with it. In his brief and tasteful preface he says: "In the
delicate office of sifting, selecting, and arranging these different
materials, extending through a period of nearly sixty years, it has
been my aim to make the author, in every stage of his career, as far as
possible, his own biographer, conscious that I shall in this way best
fulfil the duty devolved upon me, and give to the world the truest
picture of his life and character." To this purpose Mr. Pierre M.
Irving has adhered with uniform consistency. He makes his uncle his own
biographer. To borrow a happy illustration which we found in a newspaper
a few days since, his own portion of the book is like the crystal of
a watch, through which we see the hands upon the face as through
transparent air. And luckily he found ample materials in his uncle's
papers and records. Washington Irving was not bred to any profession,
and had a fixed aversion, not characteristic of his countrymen, for
regular business-occupation; his literary industry was fitful, and not
continuous: but he seems to have been fond of the occupation of writing,
and spent upon his diaries and in his correspondence a great many hours,
which he could hardly have done, if he had been a lawyer, a doctor, or
even a merchant, in active employment. His warm family-affections, too,
his strong love for his brothers and sisters, from most of whom he was
for many years separated, were a constant incitement to the writing of
letters, those invisible wires that keep up the communication between
parted hearts. For all these peculiarities of nature, for all these
accidents of fortune, we have reason to be grateful, since from these
his biographer has found ample materials for constructing the fabric of
his life from the foundation.

Many of Irving's letters, especially in the second volume, are long and
elaborate productions, which read like chapters from a book of travels,
or like essays, and yet do not on that account lose the peculiar charm
which we demand in such productions. They are perfectly natural in tone
and feeling, though evidently written with some care. They are not in
the least artificial, and yet not careless or hasty. They have all that
easy and graceful flow, that transparent narrative, that unconscious
charm, which we find in his published writings; and we not unfrequently
discern gleams and touches of that exquisite humor which was the best
gift bestowed upon his mind. Brief as our notice is, we cannot refrain
from quoting in illustration of our remark a few sentences from a letter
to Thomas Moore, written in 1824:--

"I went a few evenings since to see Kenney's new piece, 'The Alcaid.' It
went off lamely, and the Alcaid is rather a bore, and comes near to be
generally thought so. Poor Kenney came to my room next evening, and
I could not have believed that one night could have ruined a man so
completely. I swear to you I thought at first it was a flimsy suit of
clothes had left some bedside and walked into my room without waiting
for the owner to get up, or that it was one of those frames on which
clothiers stretch coats at their shop-doors, until I perceived _a thin
face, sticking edgeways out of the collar of the coat like the axe in
a bundle of fasces._ He was so thin, and pale, and nervous, and
exhausted,--he made a dozen difficulties in getting over a spot in the
carpet, and never would have accomplished it, if he had not lifted
himself over by the points of his shirt-collar."

The illustration we have Italicized is rather wit than humor; but be it
as it may, it is capital; and the whole paragraph has that quaint and
grotesque exaggeration which reminds us of the village-tailor in "The
Sketch-Book," "who played on the clarionet, and seemed to have blown his
face to a point," or of Mud Sam, who "knew all the fish in the river by
their Christian names."

We think no one can read these volumes without having a higher
impression of Washington Irving as a man. There was no inconsistency
between the author and the man. The tenderness, the purity of feeling,
the sensibility, which gave his works an entrance into so many hearts,
had their source in his mind and character. It is a very truthful record
that we have before us. The delineation is that of a man certainly not
without touches of human infirmity, but as certainly largely endowed
with virtues as well as with gifts and graces. It is very evident that
it is a truthful biography, and that the hand of faithful affection has
found nothing to suppress or conceal. When we have laid down the book,
we feel that we know the man. And we can understand why it was that he
was so loved. Enemies, it seems, he had, or at least ill-wishers; since
we learn--and it is one of the indications of his soft and sensitive
nature--that he was seriously annoyed by a persecutor who persistently
inclosed and forwarded to him every scrap of unfavorable criticism he
could find in the newspapers: but the feeling that inspired this piece
of ill-nature must have been envy, and not hatred,--the bitterness which
is awakened in some unhappy tempers by the success which they cannot
themselves attain. No man less deserved to be hated than Irving, for no
man was less willing himself to give heart-room to hatred.

We need hardly add that these volumes--of which the larger part is
by Irving himself--are very entertaining, and that we read them from
beginning to end with unflagging interest. Sketches of society and
manners, personal anecdotes, descriptions of scenery, buildings, and
works of art, give animation and variety to the narrative. The whole is
suffused with a golden glow of cheerfulness, the effluence of a nature
very happy, yet never needing the sting of riot or craving the flush of
excess, and finding its happiness in those pure fountains that refresh,
but not intoxicate.

The close of the second volume brings us down to the year 1832, and his
cordial reception by his friends and countrymen after an absence of
seventeen years; so that more good things are in store for us.






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