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The Loves of Krishna in Indian Painting and Poetry by W. G. Archer



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When Udho arrives, he finds Nanda and Yasoda still lamenting Krishna's
absence and the cowgirls still longing for him as their lover. He begs
them to regard Krishna as God--as someone who is constantly near those who
love him even if he cannot be seen. Krishna, he says, has forbidden them
to hope for any further impassioned ecstasies and now requires them to
offer him their devotion only. If they do penance and meditate, Krishna
will never leave them. From the day they commenced thinking of him, none
have been so much loved as they. 'As earth, wind, water, fire, rain dwell
in the body, so Krishna dwells in you; but through the influence of his
delusive power seems to be apart.' Udho's pleading shocks and embitters
the cowgirls. 'How can he talk to us like that?' they ask. 'It is
Krishna's body that we adore, not some invisible idea high up in the sky.
How has Krishna suddenly become invisible and imperceptible, a being
without qualities and form, when all along he has delighted us with his
physical charms. As to penance and meditation, these concern widows. What
woman does penance while her husband is alive? It is all the doing of
Kubja, the girl of Mathura whose charms have captivated Krishna. Were it
not for Kubja and other beauties of Mathura, Krishna would now be with us
in Brindaban. Had we known he would not return, we would never have let
him go.' In such words they repudiate Udho's message, upbraid Krishna for
his fickle conduct and demonstrate with what intensity they still adore
him.

Udho is reduced to silence and can only marvel at the cowgirls' bliss in
abandoning everything to think only of Krishna. Finally they send Krishna
the message--that if he really desires them to abandon loving him with
their bodies and resort to penance, he himself must come and show them how
to do it. Unless he comes, they will die of neglect.

A few days later, Udho returns to Mathura bringing with him milk and
butter as presents to Krishna from Nanda and Yasoda and escorting Rohini,
Vasudeva's other wife and Balarama's mother. He gives Krishna the
cowgirls' message and reports how all Brindaban longs for his return.
'Great King,' he says, 'I cannot tell you how they love you. You are their
life. Night and day they think of you. Their love for you is complete as
perfect worship. I gave them your advice concerning penance, but I have
learnt from them perfect adoration. They will only be content when they
see and touch you again.' Krishna listens and is silent. It is clear that
efforts at weaning the cowgirls from him have so far failed and something
further must be attempted.

Yet his resolve to sever all connections with his former life remains and
it is perhaps symbolic of his purpose that he now recalls the hunch-back
girl, Kubja, takes Udho with him and in a single ecstatic visit becomes
her lover. As he reaches her house, the girl greets him with delight,
takes him inside and seats him on a couch of flowers. Udho stays outside
and then while Krishna waits, the girl quickly bathes, scents herself,
combs her hair and changes her dress. Then 'with gaiety and endearment'
she approaches Krishna. Krishna, however, takes her by the hand and
places her near him. Their passions rise and the two achieve the utmost
bliss. Krishna then leaves her, rejoins Udho and 'blushing and smiling'
returns home.

The third step which Krishna must take is to deal with the political and
military situation which has arisen from the slaying of the tyrant. We
have seen how Kansa, although actually begotten by a demon was officially
a son of Ugrasena, the king of Mathura, and as one of his many demon acts,
had dethroned his father and seized the kingdom for himself. Ugrasena is
still alive and the obvious course, therefore, is to reinstate him on the
throne. Ugrasena, however, is unwilling to assume power and he and the
other Yadavas implore Krishna to accept the title for himself. Krishna,
however, has no desire to become king. He therefore overcomes Ugrasena's
hesitations and in due course the latter is enthroned.

This settles the succession problem, but almost immediately a graver issue
arises. During his reign of terror, Kansa had made war on Jarasandha, king
of Magadha. He had defeated him but as part of the peace terms had taken
two of his daughters as queens. These have now been widowed by his death
and repairing to their father's court, they rail bitterly against Krishna
and beg their father to avenge their husband's death. Jarasandha, although
a former rival of Kansa, is also a demon and can therefore summon to his
aid a number of demon allies. Great armies are accordingly mobilized.
Mathura is surrounded and the Yadavas are in dire peril. Krishna and
Balarama, however, are undismayed. They attack the foes single-handed and
by dint of their supernatural powers, utterly rout them. Jarasandha is
captured but released so that he may return to the attack and even more
demons may then be slaughtered. He returns in all seventeen times, is
vanquished on each occasion but returns once more. This time he is aided
by another demon, Kalayavana, and seeing the constant strain of such
attacks, Krishna decides to evacuate the Yadavas and settle them at a new
base. He commissions the divine architect, Visvakarma, to build a new city
in the sea. This is done in one night, the city is called Dwarka[35] and
there the Yadavas with all their goods are transported. When this has been
done, Krishna and Balarama trick the demons. They pretend to be utterly
defeated, retreat from Mathura and in despair ascend a tall hill. The
demon armies surround them and there appears to be no possible way of
escape. Jarasandha orders wood to be brought from the surrounding towns
and villages, piled up round the hill, saturated with oil and then set
fire to. A vast flame shoots up. The whole hill is ablaze but Krishna and
Balarama slip out unseen, take the road to Mathura and finally reach
Dwarka. When the hill is reduced to ashes, Jarasandha concludes that
Krishna and Balarama have perished. He advances to Mathura, occupies the
empty town, proclaims his authority and returns to Magadha.

[Footnote 35: Dwarka is sited on the western seaboard, 300 miles north-west
of Bombay.]



(ii) Marriages and Offspring


The immediate position, then, is that Krishna has abandoned his life among
the cowherds, has been accepted as a Yadava, has coped with the difficult
and dangerous situation arising from the tyrant king's death and finally
has saved the Yadavas from extinction by demons. This, however, has meant
the abandonment of Mathura and the movement of the Yadavas to a new city,
Dwarka. The same problem, therefore, which faced him earlier, confronts
him once again. Having obtained immunity for the Yadavas and brought them
to a new land, can Krishna now regard his mission as accomplished? Or must
he linger on earth still longer? The answer can hardly be in doubt; for
although the Yadavas appear to be installed in good surroundings, demon
hordes still range the world. The tyrant Kansa was only the worst and most
powerful member of the demon hosts. The war with Jarasandha has rid the
world of many demons, but vast numbers remain and until their ranks have
been appreciably reduced, Krishna's mission will be unfulfilled. Only one
course of action, therefore, is possible. He must accept a permanent
position in Yadava society, live as an honoured noble, a prince of the
blood royal and as occasion warrants continue to intervene in the struggle
between the good and the bad.

Such a decision is taken and Krishna installs himself at Dwarka. Before he
can fulfil his duties as an adult member of the race, however, certain
preliminaries are necessary and among them is the important issue of his
marriage. Both he and Balarama require wives and the question is how are
they to get them. Balarama's problem is easily settled by a marriage to
Revati, a princess. Krishna's, on the other hand, is less straightforward
and he is still undecided when news is brought that the Raja of Kundulpur
has a daughter of matchless loveliness, her name Rukmini. Her eyes, it was
said, were like a doe's, her complexion like a flower, her face dazzling
as the moon. Rukmini in turn has overheard some beggars reciting Krishna's
exploits, has fallen in love with his image and is at once delighted and
disturbed. In this way each is fascinated by the other. Almost
immediately, however, a crisis occurs. Rukmini's brother, Rukma, urges her
father to marry her to a rival, Sisupala. Krishna's claims as Vishnu
incarnate are advanced in vain and he is ridiculed as being just a
cowherd. Against his better judgment her father acquiesces and
arrangements for a wedding with Sisupala go forward. Rukmini now takes the
daring step of sending a message to Krishna, declaring her love and asking
him to save her. Krishna reads it with delight. He at once leaves for
Kundulpur, finding it gay with flags and banners, golden spires and
wreaths of flowers. Sisupala has arrived, but in addition, there is
Krishna's old enemy, Jarasandha, encamped with an army of demons. Rukmini
is in despair until she learns that Krishna also has arrived. A little
later Balarama reaches the scene, bringing with him an army. Sisupala is
dismayed at his arrival and both sides watch each other's movements. The
wedding day now dawns and Rukmini, guarded by Sisupala's soldiers, goes
outside the city to worship at a shrine to Devi.[36] As she nears the
shrine, Krishna suddenly appears. Rukmini gazes with adoration at him. He
springs among the soldiers, lifts her into his chariot and rushes her
away.

This summary abduction is more than Sisupala can bear. Troops career after
Krishna. Armies engage. A vast battle ensues. As they fight, Rukmini looks
timorously on. At last, Balarama vanquishes the demon hosts, 'as a white
elephant scatters lotuses.' Sisupala and Jarasandha flee, but Rukmini's
evil brother, Rukma, returns to the fray, strives feverishly to kill
Krishna, fails and is taken captive. His life is spared at Rukmini's
behest, but he is led away, his hands tied behind his back and his
moustaches shaven off. Balarama intercedes and effects his release and
Rukma goes away to brood on his discomfiture and plot revenge. Krishna now
returns to Dwarka in triumph, is given a rapturous welcome and a little
later celebrates his marriage with full ritual. 'Priests recited the
Vedas, Krishna circled round with Rukmini. Drums resounded. The delighted
gods rained down flowers; demi-gods, saints, bards and celestial musicians
were all spectators from the sky.'

Having married Rukmini, Krishna has now the full status of a grown prince.
But he is nothing if not supernormal; and just as earlier in his career he
has showered his affection on a host of cowgirls, he now acquires a whole
succession of further wives. The first is Jambhavati, the second
Satyabhama. Satyabhama's father is a certain Sattrajit who has obtained
from the sun the boon of a jewel. The jewel flashes with light and Krishna
advises him to surrender it to King Ugrasena. The man refuses; whereupon
his brother seizes it and goes away to the forest. Here a lion pounces
upon him, devours the man and his horse and hides the jewel. The lion is
then killed by a bear who centuries earlier had served with Vishnu's
earlier incarnation, Rama, during his campaign against the demon king of
Lanka.[37] The bear carries away the jewel and gives it to its mate. When
Sattrajit hears that his brother is missing, he concludes that Krishna has
caused his death and starts a whispering campaign, accusing Krishna of
making away with the jewel. Krishna hears of the slander and at once
decides to search for the missing man, recover the jewel and thus silence
his accuser for ever. As he goes through the forest, Krishna finds a cave
where the dead lion is lying. He enters it, grapples with the bear but is
quickly recognized by the bear as Krishna himself. The bear bows before
him and begs him to accept his daughter Jambhavati in marriage. He
includes the jewel as part of the dowry. Krishna marries the girl and
returns. Back at the court he upbraids Sattrajit for falsely accusing him.
'I did not take the jewel,' he says. 'The bear took it. Now he has given
the jewel to me and also his daughter. Take back your jewel and be
silent.' Sattrajit is overwhelmed with shame and by way of amends gives
Krishna his own daughter, Satyabhama. Krishna marries her and Sattrajit
begs him to take the jewel also. Krishna refuses and the jewel remains
with its owner. A little later, Sattrajit is murdered and the jewel once
again stolen. The murderer thief is tracked down by Krishna and killed,
but only after many delays is the jewel at last recovered from Akrura--the
leading Yadava who earlier in the story has acted first as Raja Kansa's
envoy to Krishna and later as Krishna's envoy to Kunti. Krishna orders him
to return it to its owner, Sattrajit's grandson. Akrura places it at
Krishna's feet and Krishna gives it to Satyabhama. The upshot, then, is
that the slander is ended, the jewel is regained and in the process
Krishna acquires two further wives.

These extra marriages, however, by no means end the tally of his consorts,
for during a visit to his relatives, the Pandavas, now returned from exile
and for the moment safely reinstalled in their kingdom, he sees a lovely
girl, Kalindi, wandering in the forest. She is the daughter of the sun and
has been sent to dwell by a river until her appointed bridegroom, Krishna,
arrives to claim her. Krishna is delighted with her youth, places her in
his chariot and on his return to Dwarka, celebrates their wedding. A
little later other girls are married to him, in many cases only after a
fierce struggle with demons. In this way, he obtains eight queens, at the
same time advancing his prime purpose of ridding the world of demons.

At this point, the _Purana_ embarks on an episode which, at first sight,
appears to have very little to do with its main subject. In fact, however,
its relevance is great for, as a consequence, Krishna the prince acquires
as many female companions as he had enjoyed as a youth. The episode begins
with Earth again appearing in heaven. Having successfully engineered
Krishna's birth, she does special penance and again beseeches the supreme
Trinity to grant her a boon. This boon is a son who will never be equalled
and who will never die. Brahma, Vishnu and Siva agree to give her a son,
Naraka, but on the following conditions: he will conquer all the kings of
the earth, rout the gods in the sky, carry off the earrings of Aditi (the
mother of the gods), wear them himself, take the canopy of Indra and place
it over his own head and finally, collect together but not marry sixteen
thousand one hundred virgin daughters of different kings. Krishna will
then attack him and at Earth's own behest, will kill Naraka and take to
Dwarka all the imprisoned girls. Earth says, 'Why should I ever tell
anyone to kill my own son?' and is silent. None the less the boon is
granted, the conditions are in due course fulfilled and after a furious
encounter with Naraka at his city of Pragjyotisha,[38] Krishna is once
again victorious. During the battle, Muru or Mura, the arch demon, aided
by seven sons, strenuously defends the city. Krishna kills him by cutting
off his five heads but has then to resist whole armies of demons assembled
by the sons. When these also have been destroyed, Krishna meets Naraka and
after a vicious contest finally kills him, recovering in consequence the
earrings of Aditi and the canopy of Indra. Naraka's palace is then opened
and reveals the bevy of imprisoned girls. As they gaze on Krishna, their
reactions are reminiscent of the cowgirls'. They implore Krishna to take
them away and allow them to lavish on him their impassioned love. Krishna
agrees, chariots are sent for and the vast concourse of passion-stricken
girls is transported to Dwarka. Here Krishna marries them, showering
affection on each of the sixteen thousand and one hundred 'and displaying
unceasing love for his eight queens.'

Such an incident revives an aspect of Krishna's early character which up
to the present has been somewhat obscured by other events. Besides slaying
demons he has all along been sensitive to feminine needs, arousing in
women passionate adoration and at the same time fulfilling the most
intense of their physical desires. It is these qualities which
characterize his later career.

Having on one occasion given Rukmini, his first consort, a flower of the
heavenly wishing tree,[39] Krishna finds that he has aroused the jealousy
of his third consort, Satyabhama. To please her, he accordingly undertakes
to get for her not merely a flower or branch but the tree itself. He
therefore goes to Vaikuntha, the paradise of Vishnu, and takes the
opportunity to return the earrings of Aditi and place the canopy over the
lord of the gods. He then sends a message to Indra asking for the tree.
Indra as the tree's custodian recalls his former discomfiture in Brindaban
when Krishna had abolished his worship and venerated the hill Govardhana
in his place. Despite his subsequent surrender to Krishna, and abject
worship of him, Indra is still incensed and bluntly refuses. Krishna then
goes to the tree, wounds its guardians and bears the tree away. Indra is
tempted to do battle but realizing Krishna's superior power calls off his
hosts. Back in Dwarka, Krishna instals the tree in Satyabhama's palace but
returns it to Indra a year later.

On another occasion, Krishna and Rukmini are making love on a golden bed
in a palace bedecked with gems. The sheets are white as foam and are
decorated with flowers. Pictures have been painted on the walls and every
aid to pleasure has been provided. Rukmini is lovelier than ever, while
Krishna, 'the root of joy,' dazzles her with a face lovely as the moon, a
skin the colour of clouds, a peacock crown, a long garland of flowers and
a scarf of yellow silk. As he lies, he is 'the sea of beauty, the light of
the three worlds.' After making love, Krishna suddenly asks Rukmini why
she preferred him to Sisupala. He points out that he is not a king and is
therefore quite unworthy of her, that since he has rescued her from
Sisupala, her wish has been accomplished and it is best that she should
now leave him and marry a prince of the royal blood who will be worthy of
her name. Rukmini is stunned at the suggestion. She collapses on the
floor, her hair obscuring her lovely face. Krishna raises her up, sits her
on his knees, and strokes her cheeks. When at length Rukmini revives,
Krishna hastens to explain that he was only jesting and that in view of
her deep love he will never abandon her. Rukmini assures him that nowhere
in the world is there Krishna's equal. The beggars who recited his praises
and from whom she first heard his name, were in fact Brahma and Siva. All
the gods revere him. To adore him is the only joy. Those who love Krishna
alone are happy. If blinded by pride a man forgets him, Krishna abases
him. It was because Rukmini besought his compassion that Krishna has loved
her. Hearing her simple sincerity, Krishna is greatly moved and says,
'Love of my heart, you know me through and through. You have given
yourself to me, adored me and known my love. I shall love you always.'
Rukmini hears him with deep contentment and the two make love.

Such a declaration however is not intended to imply a cold neglect of his
other wives for it is part of Krishna's role that he should please and
satisfy all. Accordingly, when Narada, the sage, makes one of his
recurring appearances--this time in order to investigate how Krishna
contrives to keep happy so vast a concourse of women--he finds Krishna
everywhere. With Rukmini he reclines at ease, with Jambhavati he plays
dice, at Satyabhama's house, he is having his body rubbed with oil, at
Kalindi's, he is asleep. In this way, wherever Narada goes, he finds
Krishna with one or other of his queens. In fact, the same 'delusive'
powers which he had earlier employed when dancing with the
cowgirls--making each believe he was dancing with her and her alone--are
now being used to satisfy his wives.

In this way Krishna continues to live. Sometimes his wives caress his
body, ply him with delicacies or swathe him in perfumed garments.
Sometimes to ease their passion they make little figures of him or let
themselves be dressed by him. One night they go with him to a tank and
there make love in the water. Everything in the scene reminds them of
their love and they address first a _chakai_ bird. 'O _chakai_ bird, when
you are parted from your mate, you spend the whole night sadly calling and
never sleeping. Speak to us of your beloved. We are Krishna's
slave-girls.' They speak to the sea. 'O sea, you lie awake night and day,
heaving sighs. Do you grieve for a loved one who is far away?' Then they
see the moon. 'O moon, why do you grow thin? Are you also filled with
longing? Are you fascinated by Krishna?' In this way they address birds,
hills and rivers, seeking from each some consolation for their frenzied
love.

In due course, each of the sixteen thousand one hundred and eight bears
Krishna ten sons and one daughter and each is beautiful as himself.

[Footnote 36: Plate 18.]

[Footnote 37: Lanka--modern Ceylon.]

[Footnote 38: Note 12.]

[Footnote 39: A sight of the heavenly wishing-tree, the _kalpa_ or
_parijata_, which grew in Indra's heaven, was believed to make the old
young.]



(iii) Last Phases


This gradual expansion of his marital state takes Krishna even farther
from the adoring loves of his youth, the cowgirls of Brindaban. Indeed for
months on end it is as if he has dismissed them from his mind. One day he
and Balarama are sitting together when Balarama reminds him of their
promise that after staying for a time in Mathura they will assuredly visit
them. Krishna, it is clear, cannot go himself, but Balarama is less
impeded and with Krishna's approval, he takes a ploughshare and pestle,
mounts a chariot and speeds on his way.

As he nears Brindaban, the familiar scenes greet him. The cowherds and
cowgirls come into view, but instead of joy there is general despair. The
cows low and pant, rejecting the grass. The cowherds are still discussing
Krishna's deeds and the cowgirls cannot expel him from their minds. As
Balarama enters their house, Nanda and Yasoda weep with joy. Balarama is
plied with questions about Krishna's welfare and when he answers that all
is well, Yasoda describes the darkness that has descended on them since
the joy of their hearts left. Balarama now meets the cowgirls. Their hair
is disordered, they are no longer neat and smart. Their minds are not in
their work and despite Krishna's absence, they are filled with passionate
longings and frenzied desires. Some of them marvel at Krishna's love and
count it good even to have known him. Others bitterly upbraid Krishna for
deserting them. Balarama explains that his visit is to show them that
Krishna has not entirely forgotten them and as proof he offers to re-enact
the circular dance and himself engage with them as lover.

In this way the circular dance is once again performed. The full moon
pours down, the cowgirls deck themselves and songs rise in the air. Flutes
and drums play and in the midst of the throng Balarama sings and dances,
clasping the cowgirls to him, making love and rousing them to ecstasy.
Night after night the dance is performed, while each day Balarama comforts
Nanda and Yasoda with news of Krishna. One night as his visit is ending,
he feels exhausted and commands the river Jumna to change its course and
bathe him with its water. The Jumna fails to comply, so Balarama draws the
river towards him with his plough and bathes in its stream. From that time
on, the Jumna's course is changed. His exhaustion now leaves him and he
gratifies the cowgirls with fresh passion. With this incident his visit
ends. He bids farewell to Nanda, Yasoda and the cowgirls and leaving the
forest returns to Dwarka.

Krishna's relations with the cowgirls are now completely ended, but on one
last occasion he happens to meet them. News has come that the sun will
soon be eclipsed and accordingly, Krishna and Balarama take the Yadavas on
pilgrimage. They choose a certain holy place, Kurukshetra, and assembling
all their queens and wives, make the slow journey to it. When they
arrive, a festival is in progress. They bathe and make offerings. While
they are still encamped, other kings come in, including the Pandavas and
Kauravas. With them are their wives and families and Kunti, the mother of
the Pandavas, is thus enabled to meet once more her brother, Vasudeva, the
father of Krishna. A little later, Nanda and Yasoda along with the
cowherds and cowgirls also arrive. They have come on the same pilgrimage
and finding Krishna there, at once throng to see him. Vasudeva greets his
old friend, Nanda, and recalls the now long-distant days when Krishna had
lived with him in his house. Krishna and Balarama greet Nanda and Yasoda
with loving respect, while the cowgirls are excited beyond description.
Krishna however refuses to regard them and faced with their ardent looks
and impassioned adoration, addresses to them the following sermon.
'Whoever believes in me shall be fearlessly carried across the sea of
life. You gave me your bodies, minds and wealth. You loved me with a love
that knew no limit. No one has been so fortunate as you--neither Brahma
nor Indra, neither any other god nor any man. For all along I have been
living in you, loving you with a love that has never faltered. I live in
everyone. What I say to you cannot easily be understood, but as light,
water, fire, earth and air abide in the body, so does my glory.' To the
cowgirls such words strike chill. But there is nothing they can say and
when the festival is over, Krishna and the Yadavas return to Dwarka, while
Nanda with the cowherds and cowgirls go back to Brindaban. This is the
last time Krishna sees them.

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